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Representative scholarly studies include Nancy Ammerman, Baptist Battles: Social Change and Religious Conflict in the Southern Baptist Convention (New Brunswick: Rutgers University Press, 2001); Susan Friend Harding, The Book of Jerry Falwell: Fundamentalist Politics and Language (Princeton: Princeton University Press, 2001); Darren Dochuk, From Bible Belt to Sunbelt: Plain-Folk Religion, Grassroots Politics, and the Rise of Evangelical Conservatism (New York: W.W. Norton, 2011); Mark Hulsether, Religion, Culture and Politics in the Twentieth Century United States (New York: Columbia University Press, 2007). The siblings all lived most of their formative years in Arkansas, where they learned to sing and with which their comments in public indicate a strong identification. Nathaniel Crawford (Eugene: Wifp and Stock, 2011), 84. tippy('#footnote_plugin_tooltip_1524_1_22', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_22').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Southern gospel is overwhelmingly a product of evangelical fundamentalism. With the dissolution of the "Christian-cultural synthesis," fundamentalists, Noll concludes, "made a virtue of their alienation. The Arkansas imaginary explored here is not a totalizing way of understanding the vernacular music of white fundamentalists. O Come All Ye Faithful Join Facebook to connect with Joyce Sanders and others you may know. Who is Joyce Sanders? We Trust In God tippy('#footnote_plugin_tooltip_1524_1_5', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_5').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Among these people, "the term southern gospel," as I have noted elsewhere, "was not used to describe the music [in its professional, commercialized form] until the 1970s and did not gain widespread use until the 1980s. Lord Most High They remember the beautiful sounds of the choir, the singing, the preaching, and then Brother Graham speaking the words, Would you come? People began flooding the altars, and it was literally breathtaking. Media releases promoting The Martins tout this diversity and eclecticism. I Am You Are The conflation of "southern" and "white" to describe this music circulates widely among scholars and non-specialists, but has only been tentatively stated in scholarship. Pure Heart She has Angelman Syndrome and is the happiest girl you will ever meet. Winter's Bone, set in the rural Ozarks, vividly portrays the psychosocial costs of geographical isolation, lack of economic and educational opportunity, and sense of cultural confinement associated with life in the deep woods of Ozark hill country. For The Love See SMS short codes for other countries. If I Could, What Mercy Means "8Stephen Shearon, Harry Eskew, James C. Downey, and Robert Darden, "Gospel Music," Grove Music Online, July 10, 2012, accessed October 15, 2013,http://www.oxfordmusiconline.com/subscriber/article/grove/music/A2224388. Bill Gaither soon placed them on his label. Joyce Martin Sanders is one third of the award-winning gospel trio, The Martins. The cultural difference between the Ozark/Ouachita and Mississippi Delta regions of Arkansas is aptly captured by/in two recent films. This transformation left untouched only the Ozarks and Ouachita to the north and west. Singing and songwriting is what Joyce does. Take, for instance, Joyce and Judy's 2001 telling of how The Martins scored the chance to sing "He Leadeth Me" on the Homecoming stage. "Gospel Music." "13Harrison, Then Sings My Soul, 103. tippy('#footnote_plugin_tooltip_1524_1_13', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_13').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Consequently, in what follows, "southern gospel" stands as shorthand for professional, commercialized white gospel from, or culturally aligned with, the evangelical fundamentalist South.
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