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WebIt marked the end of his career as a film-maker, although this sci-fi adventure had many special effects. [11] Nonetheless, the following cast details can be reconstructed from available evidence: When asked in 1930 what inspired him for A Trip to the Moon, Mlis credited Jules Verne's novels From the Earth to the Moon (1865) and Around the Moon (1870). Moviegoers were astonished at the time. "[84] The film was a pronounced success in France, running uninterrupted at the Olympia music hall in Paris for several months. At the time of A Trip to the Moons release, it stood out among its contemporaries with a strong, humorous story, sleek production, and iconic special effects. [86] Late in life, Mlis remarked that A Trip to the Moon was "surely not one of my best," but acknowledged that it was widely considered his masterpiece and that "it left an indelible trace because it was the first of its kind. Wells The First Men in the Moon, which was published just a year prior.A Trip to the Moon took three months to film and 10,000 francs to produce. Although A Trip to the Moon was the first motion picture to depict a lunar voyage, Mlis had little interest in the actual mechanics of space travel. Instead, he portrayed the moon as the dreamlike setting for a dazzling series of special effects. Artist: Marie-Georges-Jean Mlis (French, Paris 18611938 Paris) The Legacy of 'A Trip to the Moon' - Film School Rejects The video concludes with a more elaborate underwater sequence than is found in A Trip to the Moon, however, clearly inspired more by Mlis The Mermaid and Under the Seas. Though the film disappeared into obscurity after Mlis's retirement from the film industry, it was rediscovered around 1930, when Mlis's importance to the history of cinema was beginning to be recognised by film devotees. The first ever sci-fi film, aptly titled A Trip to the Moon, is a silent, short, and very trippy ride, indeed. George Melies. There was a time when filmmakers hadnt yet thought of using camera tricks to create illusions what we know today as special effects. After some discussion, several of them (including the infamous Nostradamus) agree to go on the adventure. George Melies: The Grandfather of Special effects (bio) The exhibitor bought the film immediately, and when he was reminded of his initial reluctance he even offered to add 200 to compensate "for [Mlis's] inconvenience. These were achieved through techniques developed by Mlis himself, such as double exposures (where two frames are exposed on one frame) and stop motion photography (where objects or characters are filmed frame by frame).
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a trip to the moon special effects